US Box Office: ‘Boss Baby’ beats up on ‘Smurfs: The Lost Village’

10 Apr, 2017 8:48 pm

LOS ANGELES  – The Smurfs may be feeling kind of blue.

The cuddly creatures’ once-promising film franchise is looking awfully creaky after “Smurfs: The Lost Village” stumbled at the domestic box office this weekend. The Sony release opened to a negligible $14.1 million. The film was an attempt to reinvigorate the series after 2013’s “The Smurfs 2” racked up a disappointing $347.5 million on a hefty $105 million budget. It’s a fall from quite a height. The first film, 2011’s “The Smurfs,” had showed such promise, grossing $563.7 million globally, but interest in the big screen adventures of the creatures has waned with each sequel.

With the Smurfs failing to generate much excitement, DreamWorks Animation and Fox’s “The Boss Baby” captured first place at the North American box office for the second consecutive weekend, earning $26.3 million to push its domestic haul to $89.4 million. Disney’s “Beauty and the Beast” came in second, pulling in $25 million to push its stateside grosses to a lordly $432.3 million.

Box office analysts blame the glut of family titles for hobbling the Smurfs. “They should have waited a few weeks to open it,” said Jeff Bock, an analyst with Exhibitor Relations.

Bock was ready to write the obituary for the franchise, saying, “A major studio does not open an animated film at $14 million and expect to have a sequel.”

“We delivered a film that I think is the best yet,” said Rory Bruer, Sony’s domestic distribution chief. “Word-of-mouth should be strong.”

Sony also reined in costs. “Smurfs: The Lost Village” has a $60 million production budget, a fraction of the previous two entries’ price tag. However, the weak result extends a punishing period for Sony. The studio has been dogged by bombs such as “Life” and “Inferno,” while highly anticipated releases such as “Passengers,” a science-fiction romance with Chris Pratt and Jennifer Lawrence, struggled to turn a profit.

In limited release, “Their Finest” opened on four screens in New York and Los Angeles to $77,000 for a per-screen average of $19,250. The comedy is set in World War II-era London and follows a troop of propaganda filmmakers. EuropaCorp bought the picture out of the Toronto Film Festival — STX is distributing “Their Finest” on its behalf.

Neon, a new label from Alamo Drafthouse founder Tim League and indie veteran Tom Quinn, debuted “Colossal” to $125,809 from four theaters. The off-beat monster movie stars Anne Hathaway and enjoyed a solid $31,452 per-screen average.

Overall ticket sales were up more than 15% on the prior-year period. Last year at this time Melissa McCarthy’s “The Boss” topped charts with a $23.6 million bow. Thanks to hits such as “Beauty and the Beast” and “Logan,” 2017 continues to outpace 2016, with revenues up 5%. –Reuters

 




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